An activist organization has claimed to have harvested millions of tracks from Spotify and is preparing to publish them publicly.
Industry experts noted the apparent data breach could boost AI companies searching for material to develop their technology.
An entity called Annaâs Archive said it had obtained 86 million music files from the platform and 256 million entries of associated data such as artist and record names. Spotify, which carries more than 100 million tracks, stated that the breach did not represent its full inventory.
âWe have located and deactivated the malicious user accounts that were involved in unlawful scraping,â said a Spotify spokesperson.
The Swedish company, which has more than 700 million users worldwide, added that an inquiry into unauthorized access identified a external actor collected public metadata and employed illicit tactics to bypass DRM protections.
Spotify does not believe the music taken by Annaâs Archive has been released yet. Annaâs Archive, which is recognized for offering links to copyright-infringing books, said in a blog it wanted to create a âpreservation archiveâ for music.
They claimed the music files accounted for 99.6% of all music streamed to by Spotify users and would be shared via âpeer-to-peer networksâ, a method of exchanging large digital files online.
âNaturally the service doesnât have all the music in the world, but itâs a great start,â commented Annaâs Archive, which describes its purpose as âsafeguarding humanityâs information and heritageâ.
A composer and campaigner for protecting artistsâ copyright, said the breached music would likely be used for training artificial intelligence systems.
âEducating models on pirated data is sadly widespread in the tech sector, so this stolen music is highly likely to be used instructing AI models,â he stated.
The group's website makes references to LibGen, a vast online repository of copyrighted books that has reportedly been leveraged by Meta to develop its systems.
The co-founder of an artificial intelligence company posted on the professional network that individuals of the public could in theory âbuild their own private free version of the serviceâ. He said it could also enable tech companies to âtrain on contemporary music at scaleâ.
Copyright has become a battleground between artists, writers and creatives on one side and AI companies on the other.
Across Britain, creative professionals have protested against a ministerial suggestion to allow AI companies utilize copyright-protected work without consent unless the rights holder signals. Virtually every participant to a government call for evidence on the idea has supported artistsâ concerns.
A government minister for science, innovation and technology told parliament this month there was âno clear consensusâ on the issue, adding that ministers would âuse the time to get this rightâ. The administration has pledged to make policy proposals on AI and copyright by March 2025.
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